Distortion is pretty high for a 35mm lens. If you purchase the lens through one of these affiliate-links I get a small compensation with no additional cost to you. The image sharpens up at f/2.8 and gets really good at f/4.0. The midframe is another story, there is an area which is hit quite badly by field curvature and focus shifts differently compared to the center and corners. The 7Artisans 35mm F1.4 (219 euros) is the 2nd full full frame lens for sony from 7Artisans after the 7Artisans 35mm F2 (240 euros) The lens is a little bit less expensive than the F2 while have a faster aperture. Until the profile for this lens is available you can use the one for the M-mount version in Lightroom which is doing a good job. Should not be much more expensive than the 35mm 1.4 classic. Luckily there is no color cast on A7rII and A7s, unlike with some other fast 35mm lenses. Thanks for the review. The 35mm is heavier (700g i.o 580g ) and bigger (117mm vs 107mm) than the 50mm. Flare resistance stopped down is really good. Using the hood does not really help in these situations, but stopping down (already to f/2.0) does. ¥å 7Artisans 35mmF1.4 交æã¬ã³ãºãã¼ã¿ãã¼ã¹ | ã¨ããªãï½åçé楽éä¸è¨ï½, Distance de mise au point minimale : 40cm, Centre : Mauvais à F1.4 , Mou de F2 à F5.6 , Moyen à F8, Bon à F11, Moyen à F16, Coins : Mauvais de F1.4 à F11 , moyen à F16, Le vignettage est très visible à pleine ouverture puis diminue mais ne disparait jamais complètement, La résistance au flare est en dessous de la moyenne, Le Bokeh est très bon à pleine ouverture, même avec l’ouverture fermée à F4 les ronds de bokeh restent circulaires et doux. Sony a7R III Sony FE 35mm F1.4 Sony FE 85mm F1.4 GM Sony FE 12-24mm F4 Sony a7 III +25 more Reply Reply with quote Reply to thread Complain Best Standard Prime Lenses for Sony a7 III. Looking forward for your response. Sony/Zeiss FE 35mm 2.8 ZA: I love my Sony Zeiss 35mm f2.8, for all sorts of reasons especially for its incredible compact size. I think so too, that is why I am barely interested in trying out the M-mount one. But the photo with a helmet looks really cool:). So I decided it was time to get a new 35mm f1.4 This Sigma ticked all the boxes. There seems to be a reason why all the latest 35/1.4 wonder lenses from Zeiss, Canon, Sony, Nikon and Sigma are the size they are. Now I will say that the tonality and rendering of the SD10 is quite different from the Quattro…But the high resolution of the Q sensor (and possibly the Sony and other new cameras) simply does not, in my view, mesh well with the older lenses on a practical level and the new sensors expose every defect in those older lenses. If you have a bigger budget, go for the Zeiss Batis 25mm f/2. The bokeh ruins the lens for me. The Voigtlander 1.4/35 FE has the following specifications: You may also have a look at Voigtlander’s official page. Some people claim it improves on stopping down, I don’t really see that. It is even smaller than the 1 stop slower Sony FE 1.8/35 and a lot smaller than the available f/1.4 lenses, which makes it easy to always carry it. It has some distortion on the edges of the frame, but it’s small, sharp, fast, and the price is great. But when focusing at something a bit farther away in high contrast scenes like the one below the problem can be easily visible: When you stop down to f/4.0 the color fringing is mostly gone. Instagram: theonlyoneatif. I totally agree this lens is not up to par. I consider that lens to be simply superb. Discover the α7R IV 35 mm full-frame camera with 61.0 MP from Sony & explore all the Cameras features. Voigtlander Ultron 1.7/35: The impressive resolution is backed up with fast and innovative AF, 5-axis stabilization, and 10fps burst shooting — all in a compact, robust body. This website uses cookies to improve your experience. ” You can enjoy soft delicate descriptions reminiscent of classic lenses with stable image quality.” seemed to promise at least okay bokeh, if not astro performance. Hello BastianK, It was the only 35mm f/2.8 autofocus prime for the system until Samyang … What can we expect from Voigtlander’s first classic E-mount lens? $3,917.20. I want only a little mf prime in for travel. Volume and weight of the lens are similar and the performance is really impressive. Thanks for this review. The Voigtlander VM 35mm 1.7 Ultron is a modern design which makes use of an aspherical lens element. It travels about 110° from f/1.4 to f/16. I bought this yesterday – keen to test it out on photos of people – my sigma 35 was damaged, so this will be it’s replacement. Zeiss Loxia 35mm 2.0: While it isn’t a perfect lens I think it is optically better in every regard. Thia lens probably work better in a A7s as they have different sensors. I share his opinion. If you want to make the best of it on your Sony camera get an Optosigma 5m PCX filter. I’d say that the best budget option for your trip would be the Sony 28mm f/2. If you want best across frame performance best stick to f/11. I queried the only Swedish retailer to list it (as a future product) yet whether they’d import from Nippon or wait for the euro release and they’d wait. So you can leave it in the box and enjoy walking around with a smaller lens. Pros - Well, just about everything, hands down. This is Zeiss’ most recent rangefinder lens and while there is so much to like it also suffers from midzone dip on the Sony cameras. I like very much my 40 1.4 on the Sony A7 , It has beautiful colours and contrast. There are simply too much options here to cover them all but in case you can get by with a slower and bigger lens you may start taking a look at our Canon FD 35 mm comparison. enlarge.I got mine at Adorama; I'd also get it at Amazon or at B&H.. All other FE 35mm options are over double the price of this Tamron. So far i have been attracted by the Zeiss Batis 25mm F/2, Sony Zeiss 35mm F/2.8 and Voigtlander 35mm 1.4 Nokton E. Can you please advise, if i had to choose one out of these 3 lenses which lens would be apt for my Sony A7Rii for street and landscape photography. The update seems to refer to the minimum focusing distance (0.3m instead of 1m) the Exif data transmission and the E-Mount compatability. Your email address will not be published. Waiting for your comparison on the FE35mm f1.4 /Samyang/ and may be the sigma. In the end it is either one more thing to carry or you have to plan to shoot a certain style of image. Why ? In E-mount Voigtlander has released only the 40mm 1.2 Nokton E in this focal length range so far. This is not an unusual performance for a lens like this; the small diameter certainly takes its toll here. Sony Zeiss Distagon 1.4/35 ZA T* FE/Samyang 35mm 1.4 AF: It was the direct successor to the Sony a7 and uses the same full-frame 24-megapixel sensor as its older sibling. If you find the “character” of this lens so bad, I’d be interested to learn what you think about the NEW 35 /1.8FE lens. But if you do, I ‘d guess with exactly the same results. If you are looking for a compact 35mm lens with mainly stopped down shooting in mind I think this is the better choice, get a used one as new they are a bit too expensive. If you are after across frame sharpness get this lens and a 5m PCX filter (see this article) to get rid of the field curvature introduced by the Sony filterstack. The Batis, depending on whether you want to buy new or used, I find hard to recommend now that the Sony FE 24mm 1.4 Gm is available. I’ve been using the Voigtländer Nokton 35mm MC classic (bought in 2014) for several years now. Its 35mm focal range caters to a whole host of styles of photography, but is particularly popular for wedding, portraiture and gig photography. OK, the 35/1.7 Ultron and ZM 35/1.4 leave some hope for a more compact manual focus FE option. At that time it was the first 35mm F1.2 , since then Sigma and Voigtlander have created similar lenses for Sony E mount The very first impression you get with this lens is density and full metal construction with on the front lens a silver ring like on some Zeiss legacy lenses. It’s a gorgeous little lens to use and looks very sweet on the Sony A7 series especially the A7/A7s. It comes in two variants: single- and and multi coated. Most of the sample images in this review can be found in full resolution here. Looks nice on the camera at least. Sony FE 16-35mm F2.8 GM Wide-angle Zoom Lens Full-Frame E-Mount Cameras - SEL163. Best Astro-Photography Lenses for the Sony A7 series; Sony FE lenses: The honest Guide for the A7/A7II/A7III A7rII/A7rIII/A7rIV A7c A9; Recent Comments. This is such a disappointment. Sony FE lenses: Our comprehensive and independent guide. If you are looking for a compact 35mm lens this might be worth a look. Free shipping. I dislike clinical stf-bokeh and too nervous and this is a class of nervous that does not appeal one bit. This lens is really for people who like the rendering with the nervous bokeh and also the glow wide open, but still want to enjoy some modern features like Exif data and decent coatings or do not want to get into adapting legacy lenses. Compared to: Voigtlander VM 35mm 1.7 Ultron + 5m PCX Filter. It’s high built standard, very compact, not that heavy and makes the Sony A 7 / A 6000 pocket-friendly. In this scene stopping down to f/2.8 helps to make the Nokton bokeh a little less nervous. I recommend focusing at working aperture with this lens to get best results. We'll assume you're ok with this, but you can opt-out if you wish. Guide to Ultra Wideangle lenses for the Sony A7 Series V1.3; Review: Sigma 50mm 1.4 EX – Still worth getting in 2020? Any time there is a busy background, I see the nervous bokeh and I’m not a fan. Another comparison to the Voigtlander VM 35mm 1.7 Ultron + 5m PCX filter. The Voigtlander 35mm 1.7 is slightly longer but the volume is the same or less. Wide open at f/1.7 the coma performance is comparable to the Nokton at f/4.0 and the sharpness to the Nokton at f/8.0. The new edition 2018 with the suffix “E” seems to be identical to the structure (8-Lens). A7 III also has a sensor based image stabilization system which means that all of these lenses will be stabilized when used on A7 III. Interesting, how much new lens optically differ with m-mount version and Voightlander 40/1.4! Beautiful 10-pointed sunstars as we are used to see from the Voigtlander lenses. Of course some people like this rendering, the Jupiter-3 50mm 1.5 which is very similar has lots of fans as well, and in the end this is a matter of personal taste and you have to decide whether you want creamy or nervous. With the “classic” in the name and based on what I have seen from the M-mount version my expectations were rather low. Looks like it was made for the Sony A7. Try Voigtlander 35mm 1.7 + 5m PCX filter which I have already used for astro. I am currently looking at my option for a prime lens for street photography and landscapes. The Sony a7 II is an image-stabilized full-frame mirrorless camera that was released at the end of 2014. Comment document.getElementById("comment").setAttribute( "id", "aecd601ecb64a9a19ae9325b4d176652" );document.getElementById("ff493c6245").setAttribute( "id", "comment" ); My name is Bastian and I am your expert here when it comes to ultra wide angle lenses, super fast portrait lenses (ranging from a 50mm f/0.95 to a 200mm f/1.8) and I also have reviewed way too many 35mm lenses. Still, almost no distortion and a really great landscape and architecture lens at f/8.0. In Germany the recommended price is 699 €. You can find it at CameraQuest, B&H, on amazon.com/amazon.de and also on ebay.com/ebay.de (affiliate links). Zeiss ZM 35mm 1.4 T* Distagon: There is noticeable focus shift (see section further below) and I refocused for every shot here. I had a Voigtlander (film) rangefinder and the 17MM Ultron. While the Voigtlander 5.6/10, 5.6/12, 4.5/15 and 1.2/40 offer a de-click function for the aperture the 1.4/35 doesn’t, just like the 2/65. The 35 F1.4 is an artistic lens whereas the 35mm F2 is a more generalist one. Between f/1.4 and f/1.7 you can encounter results like the one below quite often though, with huge ghosts all over the frame. Sony Zeiss FE 35mm f/1.4 Distagon T* ($1,598): Fast, sharp, and loaded with the latest technology, the FE 35mm f/1.4 ZA offers outstanding optical performance in a versatile 35mm focal length.The fast f/1.4 maximum aperture provides very effective low light capability and shallow depth of field control. The official name of this lens is the Tamron 35mm f/2.8 Di III OSD M 1:2 Lens. A very good performer for a decent price. Coming to you from Dustin Abbott, this excellent video review takes a look at the Samyang AF 35mm f/1.8 FE lens for Sony E mount cameras. The Voigtlander 35mm 1.4 Nokton E “classic” was announced alongside the Voigtlander 40mm 1.2 Nokton Eand after a slight delay just hit the shelves (02/18). If you are into astrophotography and looking for a 35mm lens to use wide open stay far away from this one. Original M-mount Voigtlanders 35/1.4 and 40/1.4 also have terrible bokeh, even worse coma and overall are garbage lenses. Some years ago (14 years, maybe?) This is the modern interpretation of very fast yet still decently compact wide angle lens. The Sony FE 1.8/35 has a recommended price of $749. When comparing it to the four other 35mm lenses in my 35mm comparison it is closest to the Loxia in terms of rendering. That said, from other online samples I’ve seen of it at f/8, it’s better than I expected. There is a bit green behind and magenta in front of the focal plane visible but at the minimum focus distance the problem is somewhat masked by spherical aberration when shooting with wider apertures. If you like nervous this might be just the lens for you. There is distinct barrel distortion which can be pretty obvious. Focus shift while stopping down, CA’s and bokeh). Simple backgrounds look fine, and I liked the image rendering in many of your sample photos. This former lens has not been tested by you. Check at amazon.de. FWIW, I generally like its overall rendering in the images I’ve seen so far, when viewing a given image in its entirety, rather than zooming in to pixel level. I am not the biggest fan of the bokeh of the Voigtlander 35mm 1.4 Nokton E and on your IG account I don’t really see pictures that would benefit from it. It is made for Sony E-mount mirrorless full-frame cameras. Only Samyang makes a cheaper version. The Sony FE 35mm f/2.8 was the very first native lens for Sony’s full-frame E-mount system along with the FE 55m f/1.8,.When used on full-frame bodies, it offers a moderate wide-angle whereas on APS-C bodies such as the a6300 or a6500, it becomes a standard lens with a 52.5mm equivalent field of view. An enthusiasm for this lens has not set with me. […] (where *perfromance* is really good) and it does not help with the the huge red flares between f/1.4 and f/1.7. Instead, the CV 35/1.2 is awesome, and wide open you get a Noctiluxish rendering. And yet I would consider the Voigtländer 35mm F1.2 SE to be one of the most attractive 35mm E-mount lenses available at the moment (if one is at least ok with focusing manually). I would rather recommend the Voigtlander 40mm 1.2 E. The “classic” designation relates to the heritage of this lens as its symmetrical optical design is very similar to the older M-mount 35mm 1.4. The Voigtlander 35mm 1.4 Nokton E Classic was kindly provided free of charge by Voigtländer Germany (Ringfoto) for reviewing purpose for a duration of 4 weeks. By the way, I recognize on the test recordings exactly the old ME Classic with its weaknesses again (incl. Professional usability and flexibility combine in the remarkable α7R IV. Real classic lenses tend not to: including the smc takumar (though it was great in this regard for its era), Performs exactly like a 1970s lens. The hood is not necessary with the sun inside the frame stopped down (where performance is really good) and it does not help with the the huge red flares between f/1.4 and f/1.7. But f2.8 is frustrating and limiting at times. Where it seems to suffer against modern designs, once stopped down a bit, is a general lack of micro contrast. I have very recently switched from Nikon DSLR to Sony mirrorless (A7Rii), enjoying the camera thoroughly. Awful, awful…. Thats sad. At minimum focus distance there is some “glow” (spherical aberration) wide open and at f/2.0. The following two tabs change content below. All markings are painted and engraved and there is a small metal screw in type hood in the package as well. Apparently there is nothing comparable in this size. Read on to find out. The corners are mostly affected by astigmatism and coma not field curvature, so unlike many rangefinder lenses focusing for the corners will not really give better results here and only stopping down helps. What can we expect from Voigtlander’s first classic E-mount lens? Wide open the lens is rather soft with quite some glow at these distances. There is even a comparison is this review. Poor lens. Pour les sujets en mouvements au n’est pas au même niveau que les Samyang 35mm F1.8 ou le Sony FE 35mm F1.8 mais Yongnuo mettant à jour très régulièrement ses objectifs pour améliorer l’Af on devrait s’en approcher (ex le 50mm F1.8 est à la V9 et le 85mm à la V7) $2,448.00. . Sony Zeiss T* FE 35mm f/2.8 (Full-frame and crop-sensor coverage, 49mm filters, 4.2 oz./119 g, 1.15'/0.35m close focus, about $698). As this lens features a symmetrical optical design I was expecting rather high vignetting figures. Flare and contrast are much better. Hence this lens in the opposite direction? Wonderful review, many thanks! Only the extreme corners are noticeably soft. Required fields are marked *. While 2 stops slower it is less than half the weight, you don’t have to stop down to f/11 for decent across frame sharpness and you get AF. Best Astro-Photography Lenses for the Sony A7 series, NOKTON classic 35mm F1.4 E-mount データベース | とるなら～写真道楽道中記～, First Voigtlander 1.4/35 FE review by Phillip Reeve: "this lens is in no way competitive to modern designs" - sonyalpharumors sonyalpharumors, Sony FE lenses: The honest Guide for the a7 series - phillipreeve.net, Sony FE lenses: A comprehensive and independent guide, Guide to Macro Lenses for the Sony a7 series, Beginner’s Guide to Manual Lenses on the Sony a7, Guide to Adapters for Manual Lenses on the Sony a7 series, The Guide to Canon FD lenses on the Sony a7 series, The rated List of Minolta MD/MC Lenses on the Sony a7, Guest Review: Pentax SMC FA 31mm f1.8 Limited, Guide to Ultra Wideangle lenses for the Sony A7 Series V1.3, Sony FE lenses: The honest Guide for the A7/A7II/A7III A7rII/A7rIII/A7rIV A7c A9. When it comes to zoom lenses this is what I suggest: Sony FE 12-24mm f/4 G (Amazon, B&H)Sony FE 16-35mm f/2.8 GM (Amazon, B&H)Sony FE 24-70mm f/2.8 GM (Amazon, B&H)Sony FE 70-200mm f/2.8 GM OSS (Amazon, B&H)Sony has the entire range covered, and the zooms and AF combine perfectly with the a7/a7 series of cameras. The bokeh is very nervous in general and light discs are not evenly lit. Check current prices at amazon.com, B&H or ebay.com. With the recent release of the Sony a7 & a7R (http://bit.ly/sonyA7s), there were a few FE lenses announced for the full-frame E-mount format. They are heavy and huge, so If you are looking at this lens you are probably not interested in these. This ad-free website's biggest source of support is when you use those or any of these links to approved sources when you get anything, regardless of the country in which you live. That’s why I bought it. It has very minimal signs of wear and, along with the RRS L-bracket, comes with a Wasabi battery, and only has 17215 actuations. To me it’s ‘interesting’ and a bit of eye-candy for certain types of scenes where perfectly smooth Gaussian blur would otherwise be rather generic. The aperture ring has 1/3 stop click stops again which I think is a bit too much. Hi Nat! And with Sony’s latest BIONZ X processor and most advanced autofocus, the α7 offers outstanding detail, sensitivity, and quality. When stopping down the plane of optimal focus shifts to the back, so you have to focus a bit closer for best performance. found a little typo: Given that you are using a tripod anyway, the size and weight of the Sigma Art should not be a problem. Review: Sigma 50mm 1.4 EX – Still worth getting in 2020? It’s quite usable for astro even wide open – good sharpness and very little coma. I still checked by taking a few shots without electronic contact between camera and lens and could still barely find any lateral CA, which seems to be typical for almost perfectly symmetrical designs. Get ready for performance that will propel your photography to new heights. Epic Photojournalism trip to rural Ethiopia using the Sony A7ii, 35mm FE Zeiss by Jason Lanier ... Best BUDGET 35mm F1.4 E-mount Lens for Sony A7 III - Duration: 5:35. Similar sponsored items Feedback on our suggestions - Similar sponsored items. This great video review takes a … Sigma 35mm f1.4 DG HSM Art Lens - Sony E Fit. As the first full-frame camera to offer five-axis image stabilization, it was a groundbreaking camera when it was released. I prefer 1/2 or even full stops. In terms of ghosts I only managed to create one small purple blob. There is almost no loss of contrast and the colors still look great. Can someone not make a fast 35mm that will work for astro and not break the bank? New this lens costs as much as $799/749€. Affordably priced at $349 USD, this is among the cheapest 35mm FE E-mount lens options. Voigtlander Nokton 1.2/40 E: New this lens costs as much as $799/749€. The Sigma 35mm F1.4 DG HSM Art lens is a beautiful lens that is part of the highly regarded Sigma Art series of lenses. Phillip already reviewed the Sony FE 35mm 1.8. I also have a 28mm Takumar f3.5 lens that I have used, quite happily, on the SD10. As a comparison I included a shot from the same scene taken with the Voigtlander VM 35mm 1.7 + 5m PCX filter. How is VC 35 /1.4 Classic M-mount + 5m PCX compared to this ??? It is quite collectable and there are not too many of them in circulation which skews the price somewhat. The Voigtlander 35mm 1.4 Nokton E “classic” was announced alongside the Voigtlander 40mm 1.2 Nokton E and after a slight delay just hit the shelves (02/18). Am not familiar with those and wasn’t sure what the marketing speech about “optimized optical design” would mean. ... Free shipping . If that is not you there are probably better lenses for you that I listed in the Alternatives section, especially the Voigtlander VM 35mm 1.7 Ultron + 5m PCX filter which is a bit longer but also thinner and only marginally heavier. The 35mm comes with geared rings to mount on the focusing ring and aperture ring for use with a follow focus. This lens is also based on an older rangefinder design. There is an embedded profile which corrects for lateral CA which cannot be easily disabled and does a very good job. The focus ring has perfect resistance and travels ~120° from the minimum focus distance (0.3m) to infinity. The center improves quite a lot already at f/2.0 and reaches peak performance at f/4.0. IMO it’s totally unrealistic to expect anything technically amazing from this optical design. Your email address will not be published. If you are looking for smooth and creamy bokeh this lens is not for you. The 35mm is in MFT mount by default but a 10$ optional adapter makes it a Sony E mount lens, you just add it on top of the MFT mount with 4 screws The Best Full-frame E-Mount FE Zoom Lenses for Sony A7 A7R A7S A7II A7RII A7SII A9 Cameras Updated on Aug 3, 2019 by Tuan Do Professional photographers always preferred fixed focal length (prime) lenses over zoom lenses because of some obvious advantages like the weight, wider aperture, and better performance in low-light environments. I am sending mine back. At just $399, the AF 35mm f/1.8 is … Sony a7 III Full Frame Mirrorless Camera with 28-70mm and FE 50mm f/1.8 Lens Kit. Thanks for this review of actual performance and your thoughts on the matter, particularly the idea of these older lens designs on newer digital cameras. I have a Sigma SD10 (a camera from 2004) and an SDQuattro, and the 30MM f1.4 Art “kit” lens. If you like the look of this kind of old school symmetrical wide, then at least this one has great flare and contrast control. The 35mm f/2.8 above would also be a great pick. Performance of this lens should not be surprising. There are loads of options regarding 35mm and 40mm lenses, I think the Sigma options like the F1.2 and F1.4 in particular should interest you if you’re purely focused on wide apertures and image quality, the Sony 35mm 2.8 for a light walk around or the newly released Sony 35mm F1.8 for the everyday, balanced approach. It is sharp enough and even in the corners if you stopped down. While reviewing the Sony A7 II, I had a chance to test and play with every Sony FE lens made as of April of 2015.The list includes the following lenses: Sony FE 35mm f/2.8, Zeiss Loxia 35mm f/2, Zeiss Loxia 50mm f/2, Sony FE 55mm f/1.8, Sony FE 16-35mm f/4 OSS, Sony FE 24-70mm f/4 OSS, Sony FE 28-70mm f/3.5-5.6 OSS and Sony FE 70-200mm f/4 OSS. This is one of the worst performances I have ever seen. In M-mount Voigtlander released the closely related but not identical 1.4/35 some time ago. Sony A7 II has external dimensions of 127 x 96 x 60 mm (5 x 3.78 x 2.36″) and weighs 599 g (1.32 lb / 21.13 oz) (including batteries). Not exactly. Older manual 35 mm lenses: IMO, it lives up to what I consider the ‘classical’ Voigtlander look from years prior to their latest and greatest.
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